112 minutes Does their parental neglect make them culpable for the lives he took? Following the release of Ant-Man and the Wasp: Quantumania, we caught up with actress Katy O'Brian to talk about her MCU debut as Jentorra, deleted scenes with Bill Murray, and a whole lot more! His eyes dont give away any sense of remorse or guilt. His attitude towards his son is warmer, but underneath there's no more depth than there is with Eva. 2003-2023 Best Little Sites, LLC. Plus, she also touches on a potentially big deleted scene that would've seen her cross paths with Krylar (Bill Murray) and teases possible beef with Janet van Dyne (Michelle Pfeiffer). The point here is not to understand Kevin at all. Super-Hero partners Scott Lang (Paul Rudd) and Hope van Dyne (Evangeline Lilly) return to continue their adventures as Ant-Man and the Wasp. Reilly is typically wonderful in a thankless role, while both juvenile actors evince a low-grade rage that never moves into complete disconnection or full-blown psychosis. Helmed by Scottish filmmaker Lynne Ramsay based on the Orange Prize-winning eponymous 2003 novel by Lionel Shriver, 'We Need to Talk About Kevin' is a jarring, erratic, and sometimes profoundly disturbing 2011 psychological thriller that creates an uncanny place in the viewer's mind. In the next sequence, he appears in a loose white shirt. And I really am curious as to how she's handling a society of ultra-intelligent ants that basically flooded her world. Kevin is a story of hope for a new millennium, an It's a Wonderful Life in the age of school shootings and planes crashing into buildings -- a world-weary world that has been bombarded by nihilistic themes in their narratives for the better part of a century. The Ending Of We Need To Talk About Kevin Explained. I got to try some fight choreo, but all in all, yeah, it helped me prepare, I will say I was much more excited to be a good guy instead of a lame, side character, bad guy. Eva is attempting to play the part of mommy as defined by popular culture; the cooing, gooey, all-encompassing ubiquitousness to her child. If you look one level deeper it's clear that Kevin was deeply and horribly emotionally abused by both of his parents, and in a genuinely loving family he would not have turned out the way he did. What makes this all worthwhile is the fact that Tilda Swinton is simply an astonishing actress who can bring off anything. Go do something. That's the underlying message of We Need to Talk about Kevin, Lynne Ramsey's remarkable allegory on the transcendent nature of relationships. None of this is done in a straightforward fashion. Maternal ambivalence turns into filial antagonism, colouring her perception of him as inherently evil. It's very hard for me to take things seriously, I love to crack jokes and everything, and, I mean, they're so funny off-set, even the guy that played Xolum, James Cutler, he's so funny, and he's just screaming random stuff, when you're trying to be serious, and just all of a sudden, this yell comes out of nowhere, and you're trying to just keep a straight face. Kevin and Eva look similar, and in many scenes, Kevin and Eva wear similar clothes. Helmed by Scottish filmmaker Lynne Ramsay based on the Orange Prize-winning eponymous 2003 novel by Lionel Shriver, We Need to Talk About Kevin is a jarring, erratic, and sometimes profoundly disturbing 2011 psychological thriller that creates an uncanny place in the viewers mind. Near the top of the list of the worst movies to watch on Mother's Day is "We Need to Talk About Kevin." So, what did that exchange mean for the Khatchadourians? Hosted by Michael Barbaro and Sabrina . By using our Services, you agree to our use of cookies. Is her husband as zoned out as he seems or is that only her perception? He proves it when he poops himself twice in a row and she breaks his arm in a fit of rage, what he calls, "The most honest thing you ever did to me." We Need to Talk about Kevin in fact needs to be talked about, as what it is attempting to do by marrying the darkest, most nihilistic components of contemporary cinema with a redemptive message is groundbreaking. Swinton gives an outstanding performance, somehow managing to repeatedly convey implacability and vulnerability in the same moment. However, just the neglect of his mother would not amount to the cathartic finale. Eva takes incessant trips down memory lane to cope with her past loss. And so is Eva. In a film otherwise devoid of hope, these subtle suggestions give the audience a sense of comfort. Updated Date: They never talk about Kevin. Matters worsen when she becomes pregnant with a daughter. We see it in the wall of canned tomatoes that play backdrop to Evas anxiety attack in a supermarket, and the Cabernets she drowns her sorrows with. Rated the #74 best film of 2011, and #5264 in the greatest all-time movies (according to RYM users). She asks Kevin why he didn't kill her. Top Films of the 2010s as voted for by RYM (2021/Final edition), NEW TOURNAMENT: [PPE] RYM Picks the Most Outstanding Acting Performances in Cinematic History, Top Films of the 2010s as voted for by RYM (2020 edition), Top Films of the 2010s as voted for by RYM (2019 edition), Dark/Sinister films that have upbeat music during the credits, Top Films of the 2010s as voted for by RYM (2018 edition), RYM's Preferred Female Performances: 2011, Top Films of the 2010s as voted for by RYM (2017 edition), United Kingdom, United States, 35mm, Color, Dolby Stereo, Literary Adaptation, Artificial Eye, Code Red, Oscilloscope Pictures. Finally. This terrifying South Korean found footage horror movie directed by Jung Bum-shik follows an internet broadcaster who reunites a team of . A prolific writer and the ostensible head of a travel agency, Eva cares more about her own unfulfilled wishes than her ever-menacing son. This review of the film was originally published on December 22, 2011. Eva apparently thought her early life was on the right track and tells her screaming baby boy she would frankly rather be back in Paris than changing his diaper. I bring what is actually happening and the severity of what's actually happening to level out, I guess, this part of the movie, because on the other side, you got Kang and Janet are being very, very serious too on that side of things. As he grows up, we see him in a blue t-shirt, and consecutively, in a bland white one. The real monster is expecting nothing less than unconditional love. Last March, Bruce Willis family said his aphasia had affected his cognitive abilities. Fr. What is the streaming release date of We Need to Talk About Kevin (2011) in Canada? He doesn't have the emotional capacity to have a disturbed son, and so has decided that he doesn't and that's the end of it. Three days before his 16th birthday, Kevin Khatchadourian (Ezra Miller) kills several students, a teacher and a cafeteria worker in his high school gymnasium. Thats the underlying message of We Need to Talk about Kevin, Lynne Ramseys remarkable allegory on the transcendent nature of relationships. She is the wrong person in the wrong life with the wrong child. We Need to Talk About Kevin is a 2003 novel by Lionel Shriver. But when he just sits there frowning, she expresses real disgust towards him. The brooding tone of the narrative prepares the audience for a devastating ending, but in hindsight, some of you may have seen it coming. Her public perception is unlikely to change, but Eva appears firm in her choice to stick around for Kevin's sake. For removal of copyrighted images, trademarks, or other issues, Contact Us. Kevin grows a liking for the fictional character of Robin Hood, and his father gifts him a bow and arrow. Is Kevin a sociopath or a psychopath, then? Kevin overhears his parents talking about a divorce, which adds to his anger towards the world. So, that part I kind of liked because it shows, okay, this is what someone who's still fighting, interacting with someone who kind of essentially gave in. It may not strike one as something extraordinary, but one needs to understand that Kevins mind is wired differently. The camera zooms in, but the scene cuts just before we can get a peek on what's on the other side of it. When Eva dips her whole face in a basin of water, her face turns into Kevin's. We Need to Talk About Kevin is already playing in NYC; it opens today in LA, Chicago, Houston and Phoenix and is rolling out nationwide. He grows into a spiteful toddler, refusing to say "mommy" and egging on her frustrations. Shortly after, Eva goes back to the house. The film explores and identifies the hope to be found in the ashes of Ground Zero and in the wake of Columbine while never once attempting to sugarcoat the real darkness and danger that exist in our world. Kevin was not necessarily abused or tortured as a child, many kids endure much worse and did not end up as mass killers. March 1, 2023, 6:00 a.m. Indeed, one of. Three days before turning 16, Kevin unleashes chaos in his school. Kevin abused his mother because she developed a relationship with him where he could have honest interactions with her if he did. A lawsuit could force the F.D.A. What is lupus, an autoimmune disease diagnosed in Selena Gomez causing her weight gain? Kevin, it seems, is a volatile Holden Caulfield for the generation. Read More: Best Movies About Mental Illness. If she had her way, she would put her life on rewind and start all over again maybe even as somebody else, since she's not very fond of herself. The light outside disappears. It's so convincing that it has the opposite effect on us, convincing us of her innocence and her son's innate evil - how could someone so pitiful, so sorrowful, so emotionally sensitive be responsible for the development of a totally psychopathic mind? "We Need to Talk About Kevin" leans into that debate, showcasing a resentful mother, a passive father, and a child with an untreated mental illness. We Need to Talk About Kevin Jump to Edit Summaries Kevin's mother struggles to love her strange child, despite the increasingly dangerous things he says and does as he grows up. Eva believes that some defect of maternal affection had something to do with Kevin's development. Swinton is collecting a bevy of early plaudits and nominations, as well she should. So, I think it'd be really, really cool to see if they came up with something else. The truth to motherhood is a harsh one. Powered by WordPress.com VIP. Eva has spent the events of the film in deep introspection, coming to terms with the fact that she was an abusive mother, and at least some of what happened grew out of that. Mimicking the cyclical nature of trauma, the shot repeats in the climax, where Eva discovers the slain bodies of her husband and daughter. This in turn completely undermines the husband/wife dynamic. The real horror in We Need to Talk About Kevin is society's dogmatic conception of motherhood,and the pressure to live up to it. The shelves and tabletops are as barren as those in a display home. So we must find our Grace in the minuscule, and it is in these brief moments of consolation, these shafts of light under the door, that Kevin provides the deft sucker punch to the, by now, standard narrative benchmarks of despair, emptiness and futility which permeate contemporary film. Franklin and Kevin have no special connections like that, and Franklin appropriates Eva's so that he can have something manly to do with his son. Before the film opens, the character referred to in the title of Lynne Ramsay's We Need to Talk About Kevin, at the age of 15, has massacred a number of his fellow schoolmates. We see her birthing of him as rather fraught and his incessant crying drives her nearly mad. Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. Maybe he is subtly telling others that his mother does not take care of him. Eva, in turn, becomes more protective of Celia. He hates Eva for a plethora of reasons her neglect, her coldness towards Kevin, and Franklins misguided overcompensation for the lack of Evas love. An important film that attempts to delve into the psychology behind the high school massacres we seem to read about in the news on a weekly basis. Kevin grows up to be ever more distant. How difficult was it to play the straight woman when everyone around you gets to be fairly silly in the early scenes? Like a fluke, nothing to do with her personality or her hubby's personality? Firstpost - All Rights Reserved. Did they create a monster, or was he born that way? The real monster is expecting nothing less than unconditional love. Kevin was never the apple of his mothers eye, which he realized from early childhood. The film loops in time, proceeding mostly chronologically, with some dips forward and backward. Likewise, don't respond to trollish comments; just report them and ignore them. ET. Eva finally asks why he did it. We Need to Talk About Kevin 2011 | Maturity rating: 15 | 1h 52m | Independent Films When her 15-year-old son's cruel streak erupts into violence, his mother wonders how much blame she deserves for his actions. He grows into a spiteful toddler, refusing to say "mommy" and egging on her frustrations. Author Lionel Shriver on her early writing, politics, essential reading list and persevering out of 'sheer spite'. Starting with Eva - she is intentionally painting herself in the worst possible light, which ironically covers up the actual extent of her emotional abuse, since she is flagellating herself only for the worst moments of her parenthood - the lowlights - and not looking at the whole picture. When Eva gets pregnant for the second time, Kevin feels that he has become estranged from the family and grows jealous. Stripping the screenplay off words, the disturbance arises from a seamless amalgamation of image and sound. The ending of the film leaves Eva's fate up in the air. In this one, it is Kevin's triumph. All logos and images used on this website are registered trademarks of their respective companies. Starring Tilda Swinton, John C. Reilly The most cynical, nihilistic, misanthropic films ever made. Copyright | The desolate inner worlds of Ramsay's protagonists come alive through a sensory perspective. This is also true of Eva, but we see the conflict in her about her son's mental state. You tell me." KATY: I kind of saw Jentorra as someone who was already part of a warrior society, so maybe she was used to fighting already, but in kind of a way different level. Unfortunately, Eva either doesnt know or refuses to know what a more meaningful relationship with her son would look like; thus when their dinner begins with her asking him how school is going, Kevin immediately shuts her down, offering up a clichd mother/son dialogue full of rote questions and deadened responses. It doesn't gel with what has come before, where Eva seems to accept her son's innate cruelty, and is looking for a way to escape. We learn that Kevin was a difficult, colicky baby, who grew up to be a difficult, problematic child who seemingly refuses to toilet train, despite a rather surprising vocabulary. The two embrace, and then she walks away. Movies. She sits in a blank daze in the hospital room. Is it possible for her to move on from something so traumatic? However, we dont really know why Kevin kills his family. Between the ages of 6 and 8 years old, played by Jasper Newell, he is a clever little monster who glares at Eva hurtfully, soils his pants deliberately and drives her into such a fury that she breaks his arm. Little Kevin cries relentlessly, and Eva often uses cruel methods to shut him up. Copyright 2023. Therefore, when Kevin shows Eva the scar from the childhood accident, he tells her that it is the most honest thing that Eva ever did to him. Eva always wanted a daughter, and as her attention moves from Kevin, he becomes more and more begrudging towards his sister. Kevin has numerous reasons to hate his mother, Eva. KATY: Yeah, I was so jealous, because I really loved it. By. In 1975, he won the Pulitzer Prize for distinguished criticism. There seems to be almost no form of abuse she is not willing to take as belonging to her for what has happened. You couldnt have possibly thought that seeing someone eat lychee would be so distressing, but Ezra Miller makes it happen. About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features Press Copyright Contact us Creators . It was a really short moment, and then yeah, I would have loved to have had some interaction with Janet, but that wasn't even in there. Because Kevin is infallible to Franklin, he's also incapable of needing help, and as a result Franklin seems to have no respect to any sort of danger to his son, even giving a disturbed young man a lethal weapon just for fun on his fifteenth birthday - something that could even be considered an act in direct defiance of the reality of his son's deteriorating mental state, or even a dare. Reddit and its partners use cookies and similar technologies to provide you with a better experience. It seems that Kevin wears old and small clothes to bring her mothers neglect to the worlds attention. She's like a fish out of water. The red paint of vandals stains her car and the front of her house. If this were an act of self-penance it might make sense, but there's no real sense Eva is doing it out of guilt either. His son is who Franklin says he is, and anything else is just invisible. When his father is around, Kevin behaves like a charming and enthusiastic kid. Most of the film in present time shows the ritual abuse and humiliation the bereft Eva suffers from the community that she continues to live in after Kevin's deeds. Does Eva's open contempt for Kevin drive him to darkness? What if she knew while being pregnant that she is about to give birth to a monster? Eva Khatchadourian, a former travelogue writer, lives in a rundown shack in an American suburb and goes to meet her son. However, the story's unflinching refusal to provide answers for who was responsible carries over. Speaking with O'Brian following the film's release, she shared her experience on working on the biggest project of her career and how she and director Peyton Reed crafted an elaborate backstory for the leader of the rebellion. True paternal love would have been expressed as abiding concern for the man his son could grow up to be if there really was a danger of mental illness, and result in the appropriate physical and mental health care to avoid a catastrophe. When she asks him that honest question, having accepted the reality of her abuse towards him, she comes to him totally honest And he no longer feels that underlying connection between love and fear that motivated him to his actions. But her expression is one of strained indifference. Kevin is seen to be wearing short clothes most of the time, like when Eva takes him out for mini-golfing. Directed by Lynne Ramsay, "We Need to Talk About Kevin" is fragments of time, jagged and confusing, lurching around inside her mind. GameStop Moderna Pfizer Johnson & Johnson AstraZeneca Walgreens Best Buy Novavax SpaceX Tesla. When he breaks his arm? Sometimes Zuzu's petals are all you have to hold onto. edition that "We Need to Talk About Kevin" asks an explicit question, "Yet I hope that this question is no more resolved in the book than crude oppositions like 'nature vs. nurture' are ever reconciled in real life.". He completely denies the reality of Kevin's personality and identity, and thus any agency over their relationship. While Eva is growing increasingly distrustful of Kevin, Franklin sides with his son and their marriage takes a hit. For the first portion of the film, the leaps back and forth in time caused needless confusion. Ramsay simulates these associative memories, jumping back and forth between the past and the present. While Eva is shown throughout the film to be indifferent toward her son, Kevin's actions are fueled by his desire to spite her. I have the feeling that this film, by entering Eva's mind, sees only what has been battering her down for 16 years. But Ramsay is less interested in the blame game, more in how trauma can put us in a vicious cycle of self-inflicted pain. See production, box office & company info. Not here. We Need To Talk About Kevin - Behind the Scenes - Tilda Swinton Movie (2011) HD - YouTube 0:00 / 2:18 We Need To Talk About Kevin - Behind the Scenes - Tilda Swinton Movie. It'd be so much fun. Like Jentorra kind of was the reason that her society collapsed in a way, in the comic books. Stripping the screenplay off words, the disturbance arises from a seamless amalgamation of image and sound. American release: January 27, 2012. otakucode 11 yr. ago and our Apparently even before he began to talk, Kevin made a vow to punish Eva for her feelings. For mothers always seem to be on trial. After this episode, Eva and Kevin seemingly become more affectionate towards each other. Watch Indie Spirit Stars Suggest Indie Gems You Must Watch Right Now. Written by Julia Wolf. Footsteps approach the tent and a figure walks past. Advertise, Funny Superhero (DC & Marvel) Shirts & Stickers. While we are not sure whether Kevin consumed the eye itself, we know from the book that Kevin keeps Celias glass eye as a souvenir after assailing her. Despite his crime, she sells the house to pay the legal fees, moves closer to the prison so she can visit him, and continues to support him. ROHAN: You have a few scenes with Kathryn Newton, who is playing Cassie, in the film. And the whole thought was just to fight and keep fighting? He is loving and affectionate with his father, Franklin (John C. Reilly), and has a way of making it clear that it's a deliberate charade designed only to hurt Eva. He buys a few locks before the school sabotage and has a decisive plan regarding how to go about it. You've got Braveheart, which it kind of has a similar feeling to. Instead, maternal ambivalence is coded as horror. ROHAN: Since Jentorra is the leader of the rebellion, was there anything specificyou tried to channel or watch to get into her headspace? Nicoletta Vallorani in her essay Of women and children: Bad mothers as rough heroes, reads a Biblical metaphor into We Need to Talk About Kevin. The film moves without any pattern between past, present and who knows when. Kevin's mother struggles to love her strange child, despite the increasingly dangerous things he says and does as he grows up. Or to put it differently, Ramsay more or less stays true to the novel's somewhat callow and, at times, hysterical approach to the rich questions of maternal doubt. Based on Lionel Shriver's 2003 bestseller of the same name, Lynne Ramsay's 2011 film explores a broken family, mental illness, and the aftermath of a tragedy. The story goes back to the past to recreate the events that led Eva to her present discontent. Kevin does not play ball, and he becomes increasingly manipulative. This is why, in the final scene, he no longer knows why he performed the massacre. 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